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Art History

Katie HauserKatherine Hauser

Associate Professor and Associate Chair of Art History

The Charlotte Lamson Clarke '53 Chair in Art History

CONTACT INFORMATION

Office: Filene 118A
Phone: 518-580-5054
Email: khauser@skidmore.edu

Spring 2025 Office Hours: 
Mondays, 4:30 pm-5:30 pm (drop-in)
Wednesdays, 4:30 pm-5:30 pm (drop-in)
Or, by appointment/Zoom.

EDUCATION

  • Ph.D., University of California at Los Angeles
  • M.A., University of California at Los Angeles
  • B.A., University of California at Davis
  • Foothill Community College, CA

RESEARCH AND TEACHING INTERESTS

  • Contemporary art
  • Modern design
  • History of photography
  • 20th-century representational art
  • 20th- 21st-century American activist art
  • Industrial design and power

COURSES

  • Scribner Seminar: Ethics of Design
  • Ways of Seeing: Imag(in)ing the Modern World (AH108)
  • Designing Power in the United States (AH214)
  • Writing in Art History (AH220)
  • Practices in Art History (AH221)
  • Resist! Activist Art in the United States (AH261)
  • History of Modern Design (AH265)
  • History of Photography (AH321)
  • NYC Art Market (on-site; AH351)
  • Contemporary Art (AH364)
  • Honors Project Development (AH373)
  • Art History Seminars: Race and Contemporary Art, Contemporary Art in LA (AH375)
  • Art History Major and Beyond (AH380)

PUBLICATIONS (select)

  • forthcoming, "Art History and Beyond: Art History Students Transitioning from College to Professional Life," in Equity-Enhancing Strategies for the Art History Classroom, ed. Kathleem Pierce and Jenevieve Delossantos (Amherst, MA: Amherst College Press), 4000 words.
  • with Paul Benzon, “Visual Literacy across the Disciplines: From Faculty Engagement to General Education and Beyond,” Peer Review 21, no. 4 (2020): 16-19.
  • “George Tooker, Surveillance, and Cold War Sexual Politics,” GLQ: A Journal of Lesbian and Gay Studies 11 (2005): 391-425.
  • “Edward S. Curtis’s Nostalgic Vanishing of the American Indian,” in Staging the Indian: The Politics of Representation, ed. Jill D. Sweet with Ian Berry (Saratoga Springs: Tang Teaching Museum and Art Gallery at , 2002), 31-36.
  • "Audrey Flack's Still Lifes: Between Femininity and Feminism," Woman's Art Journal 22 (Fall 2000/Winter 2001): 26-30.
  • "Photorealist Nostalgia and the American Family," Prospects 22 (1997 [published spring 1998]): 263-284.
  • "The Anxiety of (Dis)respect: Names and Misnomers in the History of Women's Institutions," Women and Language 16 (Fall 1993): 22-28.

AWARDS (select)

  • 2024-29 The Charlotte Lamson Clarke '53 Chair in Art History
  • 2022 IdeaLab Innovative Pedgagoy Award for NYC Art Market Course
  • 2021  Faculty Development Grant: Guy Pene du Bois, Archives of American Art
  • 2019  Doris E. Morgan Endowed Memorial Fund Faculty Development Grant, Skidmore. Funding to support building a design teaching collection for AH265 History of Modern Design class.
  • 2010-11 Ralph A. Ciancio Award for Excellence in Teaching

SERVICE - LEADERSHIP

  • Director, Media and Film Studies Program
  • Chair, Art History Department
  • Chair, Committe on Academic Standing
  • Chair, Faculty Executive Committee
  • Chair, Committee on Faculty Governance
  • Director, Visualization Forum
  • Co-Director, in London